After a week off we’re back with another episode of the gamesline podcast. John returns from vacation a Hololive TCG contender and is joined once again by Lorelai and Crystal! Both he and Lorelai have been playing a bunch of Pokémon Legends: Z-A. John’s also been playing a lot of Digimon Story: Time Stranger while Lorelai played through the first 2 episodes of Dispatch. Crystal has been playing through Elden Ring, Else Heart.Break, and Final Fantasy X

In the news, NetEase has been cribbing the art of Jeryce Dianingana for their Wakanda level, Itagaki sadly passed away, and the Halo: Campaign Evolved announcement was met with the enthusiasm of a wet noodle. Factorio is coming to Switch 2 for all those factory build heads out there, complete with mouse controller support. Also the fourth Sonic movie might end up being called Sonic CD and that kinda rules.

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Our theme song is “Crush” by Melt Channel, from the album Magic is Real.

Edited and Produced by Lorelai

The post The Gamesline Podcast Episode 72: A Royale with Z-A appeared first on Gamesline.

Follow us on twitter @VGChooChoo, @john_michonski, @finaldasa, & @YourPalNiall and don’t forget to rate & review the show on iTunes, as well as tell a friend! You can also send questions, comments, and concerns to podcast@videogamechoochoo.com or find us on Tumblr! You can also join our Discord channel at thegamezone.zone!

Our theme song is “Crush” by Melt Channel, from the album Magic is Real.

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Factorio strays away from the more popular crafting games of our time. While it adheres to some similar tropes, Factorio pushes beyond them and explores further. When Minecraft sends you deep below to search for rarer and sturdier materials, Factorio pulls the rug from beneath you, adds its own layer of complication, and leaves you in a dizzying industrial maze of your own design.

If you haven’t touched Factorio, it may appear a bit intimidating. Where Minecraft has a simplistic style, and Fortnite has a colorful one, Factorio is a bit drab and drained. You’re tasked with gathering resources from a planet you’ve crashed on to create a rocket ship and get back home. Despite the Pikmin-esque plot, it’s not as simple as ordering a hoard of local plant things to do your bidding. You’ll need to create factories that mine, smelt, move, collect, power, pump, and otherwise transfer the natural resources of the planet around in order to best accomplish your next task. That can be as simple as a conveyor belt passing coal to a self-fueling robotic arm, or as complicated as a fleet of trains,moving large amounts of material around the map on a tight schedule. The key word here is “logistics.”

Factorio can get complicated. As in, ’building, coordinating, automating, and programming flying robots to cut down forests” complicated. That’s dozens of hours into a single playthrough and at a level of perseverance I’ve yet to find with the game. I’ve probably repeated the same opening five to six hours nearly a dozen times now. Unlike Minecraft, or games like it, there’s a distinct, different reason why Factorio draws me in nearly every time. Or maybe it’s a feeling. An eventual deep feeling of contentment. As if all if right with the world. Every game starts with a scattershot of drills and smelters, altering raw materials into more useful goods, before moving onto automating the entire process. After slowly collecting each piece of smelted iron, and refueling every drill by hand, suddenly everything is being done for you. Iron is taken straight from the mine, smelted, then stored. Your hard work and frustration pays off.

This is where Factorio gets real good, and why it’s constantly calling me to come back to my bullshit. After you’ve created your own mini-factory in the wilderness, you realize you need another item made from the same set of resources you’re working with. The level of automation and complication has increased, and will keep increasing over and over again. With each new layer is another potential problem in your build. Perhaps you build too close together, and don’t have the room to properly place everything. Perhaps your resource pools begin to dry up too quickly, and you’ll have to completely replace all of your iron mines. What makes it all wonderful is every problem has a solution. Usually a genuinely satisfying one too.

Automated trains, flying robots, oil refineries, nuclear power, power armor, tanks, and laser turrets. I’m still unsure about the end of the game, having only seen it in a handful of Youtube clips. It’s all linked to a skill level I’m afraid I may be unable to reach. Yet even then, I walk up to my video game Everest and still feel the need to climb. I might be unable, unwilling, or uninterested in reaching the top. I’m more curious about how deep I can go, how complicated and convoluted it can all get before I lose the thread. Or even better, how complicated it can get while I’m still holding on for the ride.

The post Back on my Bullshit: Factorio appeared first on Gamesline.

Devil Daggers, Darkest Dungeon, SUPERHOT, Va-11 Hall-A, and Starbound are all amazing, and deserve recognition and praise. However we must shave our lists down to the very best, and here are mine.

10. Sorcery

What started as a vague interest based mostly in nostalgia for ‘choose your own adventure’ books blossomed into an obsession with a fantastic experience. Sorcery was able to recreate the feeling of becoming enveloped by a great book while applying layers of video game design on top. My tentative steps into the Sorcery world resulted in my wallowing in it by the time the final part game out. I wish I could turn back time and replay it all again for the first time.

9. Gears of War 4

The most famous grey, brown, and black splotched video game series has evolved into its own. Gears has become the perfect mix of humor and self seriousness. The fighting still carries the weight of the Gears’ world while the levity and relationships between the characters feels real and authentic. Toss in the splashes of color they’ve been adding since Gears 3 and some interesting set pieces, and Gears of War 4 was a fun ride I’m glad I got to take.

8. Digimon: Cyber Sleuth

If there was one true missing link for my youth obsessing over video games, it was the absence of a good Digimon game. Digimon World tried but failed to capture what was truly interesting about Digimon. Cyber Sleuth didn’t get the formula perfect, but it laid out a structure I hope more games follow. The characters were fun, the ability to evolve and re-evolve Digimon made collecting and customization enjoyable, and the battling was interesting. If this is the starting block for a better Digimon video game, I’ll be waiting at the finish line.

7. Factorio

Take a snapshot of my brain and print it out on paper and you’ll get Factorio. Though it may still be in early access, most of what’s inside Factorio is what I love about management style games, laid bare. You establish systems in order to increase production, only to then redesign and/or dismantle your factory in order to increase automation even further. Your vast industrial colony grows and evolves until it all breaks down, just to be rebuilt again. Factorio is a game made just for me.

6. Dragon Quest Builders

When my friends and I got into Minecraft, we dove in deep. On and off for years we’d touch base with the old standard, see what had been added, and spend some time building our own world. Despite years of watching Minecraft update and change, the game never felt fundamentally different from the first few months we began playing. Dragon Quest Builders filled in every gap, and granted every wish I had with Minecraft. Rooms have functions, NPCs have their own tasks, and the act of building felt like it finally had purpose. The light and fanciful music and art lends to a more relaxed feeling that made some of the more tedious aspects much more bearable and enjoyable.

5. Stardew Valley

Despite my deep love for management and simulation genres, some games just never grab me. A slow, plodding farming sim sounds about as fun as watching a barn raising. The tedium of Stardew Valley is there, but there’s so much to choose from it’s improbable you would find something you didn’t enjoy. You can farm, date, marry, dungeoneer, collect, explore, and trade. Just as you begin to grasp the total sum of what you can do, the game opens up a new area with new items and tasks. Everything feels specifically paced, so you never feel overwhelmed by the immense number of options. It results in a game with so much to do, peeling away and letting you choose and enjoy which parts you wish to enjoy.

4. Doom

I had no confidence in Doom. Doom 3 was never considered the franchise’s crowning jewel, and while the design of Doom may be influential, it’s not exactly modern. Thankfully, Id was able to blend the old school design of Doom into the age of Call of Duty-likes. They updated a classic without removing its soul. Doom was reborn the same metal loving, demon slaying, ass kicking, son of a bitch it always was. Doom is still fast paced and deliberate; still layered and straight forward. Going backwards in time to experience a modern day game was something completely unique to Doom and Doom alone. Only one problem: once Doom’s stellar campaign ended, you were done. Maybe you’d like to collect the remaining hidden items, or play on a harder difficulty, but the multiplayer just isn’t interesting. It’s a shame to see something so plain and by the numbers attached to an incredible single player that’s anything but.

3. Titanfall 2

Sometimes games should be fun. Sometimes they should grab you by the shoulders and run you through an avalanche of excitement. Titanfall 2 didn’t care to do anything but make a fun campaign, memorable characters, and make the maneuverability and shooting practically perfect. And once you were done with the campaign you could dive into the multiplayer. Just like the previous entry, Titanfall nails alternating large, open spaces for the mechs to fight with indoor, tight-quartered places for soldiers to battle it out. Everything about Titanfall 2 is just fun, and there’s always room for that in my life.

2. Overwatch

Generally, I don’t enjoy competitive multiplayer games. Make a game eSports and multiplayer focused and you can practically guarantee I won’t spend much time with it. Even after two betas and a free weekend, I thought I understood what Overwatch was about. I was wrong. I finally gave in and purchased the game and discovered the personality and depth lying within. The characters aren’t just the sum of their abilities, they personas and memorable catchphrases. Their combined abilities mesh and collide with one another in interesting ways that continues to morph the game’s active meta. As with the characters, the levels are intricate and colorful with their own feel and no level or character feels unbalanced or unfair. Where Overwatch really excels is the feeling it gives me even after losing a frustrating game. The little extras it rewards you with, the constant leveling and loot boxes, all add small doses of happiness. Even when you’re not having fun, you’re encouraged to keep playing in this bright and wonderful playground.

1. Hitman

Maybe it was when I killed a man using robot surgery tools, or became a ninja, or a world famous supermodel, or a therapist, or an accomplished professional drummer. Maybe it was when I shoved a wife onto her husband, killing them both, after distracting them with fireworks. Maybe it was when I killed a golf instructor, tricked his lover into meeting me, then killed her too. Or maybe it was when I saw you could unlock an explosive rubber ducky. At some point I finally came to terms that Hitman was absolutely incredible. Its systems are complex, and initially stifling. But the game slowly opens up, teaches you what you can bend and mold to your will. I started by hitting targets over the head with soda cans and can now set up elaborate assassinations on the fly. I can create chaos and harness it to meet my goals.

I’m still playing Hitman. I’m still waiting on new elusive targets and leveling up each map. I love how serious the game takes itself while openly letting you dress up as a vampire magician or a fortune teller. Somehow Hitman planted itself inside my brain and hasn’t let go. Even when I leave it to spend time with something else, I always end up back in Paris, or Colorado, or Japan. I never expected the new entry in the franchise to impress me so much, and to do so with so much style. I’ll be playing Hitman for a long time and if that’s 2016’s video game legacy then I’ll gladly take it.

The post Michael’s Top 10 Games of 2016 appeared first on Gamesline.

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Niall, John, and Michael sat down and played through a few smaller titles this week. We applied for a new job in Two Interviewees, failed to do anything at all in Factorio, and showed off a strategy game classic, Fire Emblem: Sacred Stones.

The post Two Interviewees, Factorio Stream Archive appeared first on Gamesline.